05/09 Achieve Ultimate Control in Tango, Part I, 90 min.
How does one achieve a great amount of control in Tango, to communicate that subtle movement from leader to follower? What's the secret behind these slow and controlled movement when both dancers seem to merge into one? How is it possible to control the follower's free leg and create that precise rotation or movement, before a colgada, a gancho, or a lead decoration? This is the first part of this series but each part can be viewed independently.
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