Hello, we’re Bruno and Nati!

If you’ve come to this page, it’s probably because you wondered who would be showing you all these fancy tango moves! So if you agree, let us introduce ourselves…

Nathalie (Nati)
Nathalie (Nati)CDO (Chief Dancing Officer) ;-)

The bug really bit me early…

I started dancing when I was 5, when my parents enrolled me at a local dance school. My first steps as a dancer were incidentally my teacher’s first steps as an instructor and naturally, we grew together in our craft and as people for 15 years (within which time I grew considerably in height too!). I started with ballet and then went on to study modern and contemporary dance, more specifically Martha Graham’s technique, which I loved.

Bruno
BrunoCTO (Chief Tango Officer)

“You are geographically impaired!”

That’s what a close friend told me once.

Somehow, I was born with a travel bug which pushed me to relocate to Denmark, then to the US, and finally to Japan. It is in the country of the rising sun and more specifically in Tokyo that I fell in love not only with sashimi but also with tango – some 15 years ago (for those surprised, Japan is actually BIG on tango and gave birth to world champions).


 

Our tango journey together

Bruno and I both started Argentine tango around 1999, at first for fun, then for our wedding first dance. What kept us going back for more was our enjoyment of the classes and because we liked socialising with our tango friends.

After our first trip to Buenos Aires, we carried on tango out of sheer addiction: to the music, to the embrace, to the fascinating tango culture, to the beauty of the dance and the emphasis on the ‘here and now’.

We started our tango training in Japan (as odd as that seems, although tango is actually very popular over there) with Juan Rios, an Argentine Maestro; then in Europe and Buenos Aires, where we were blessed to be trained by truly generous teachers such as the 2008 tango world champions Daniel Nacucchio and Cristina Sosa, Lorena Ermocida, Maria Angeles Rodriguez and old school milongeros like Chiche.

 

Innovation is not limited to high tech – it happens even in tango!

We grew together as dancers, having been lucky enough to learn from these amazing maestros. After one our trips to Buenos Aires, we started thinking of using outside influences and bringing new ideas to tango instruction. This is how we came up with our teaching methodology:

  • Long step sequences are fine for a class but they are hard to use in a milonga – at least if you want to listen to the music and play it nice on the dance floor. This led us to breaking sequences into individual steps and focusing our classes on certain concepts or energies rather than on sequenecs. We thought it would be easier for students to learn and remember them so that they could then create their own sequences.

  • A class is but once a week (more if you’re addicted of course), but it’s easy to forget between one class and the next. This is why we thought about illustrated hand outs – they make students’ life easier and they’re a good step by step reference.

  • Tango movements just do not feel natural at first and they take time to perfect, also tango is so deep that there’s always something new to learn. For this reason, it can be easy to loose track of what has been achieved. We thought a self assessment card would help keep track of student’s progress. It’s always nice to be patted on the back or to pat oneself on the back!

  • Continuous effort is always better than one off attempts, so we incorporated ‘continuous learning’ which really is homework but complete voluntary. If only that had been the case with maths at school!

We are really excited to share with you our passion for tango. If you’re anything like us, you’ll fall in love with tango too and we’ll do our utmost to make you shine on the dance floor.